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Oscar |
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...Best Cinematography |
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...Best Costume Design |
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...Best Sound |
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...Best Film Editing |
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...Effects, Sound Effects... |
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...Best Makeup |
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...Music, Original Song |
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...Short Film, Animated |
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...Foreign Language Film |
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Honorary Award |
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Medal of Commendation |
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Jean Hersholt... |
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Academy Award of Merit |
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Scientific and... |
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Technical Achievement... |
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Gordon E. Sawyer Award |
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next ceremony: 1994 |
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| 29 March |
| Billy Crystal |
| Dorothy Chandler Pavilion, L.A. County Music Center, Los Angeles, California, USA |
| - Susan Sarandon and Tim Robbins (I) created a controversy when, prior to presenting the award for best editing, they made a personal plea on behalf of 200 HIV-positive Haitians who were being detained at the U.S. Naval Base at Guantanamo Bay in Cuba after having tried to reach Florida.
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| | Awarded to: | | | - Federico Fellini
- In recognition of his cinematic accomplishments that have thrilled and entertained worldwide audiences.
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| | Awarded to: | | | - Petro Vlahos
- In appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts & Sciences.
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| 6 March |
| L.A. Ballroom, Century Plaza Hotel, Los Angeles, California, USA |
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| | Winner: | | | - Chadwell O'Connor (O'Connor Engineering Laboratories)
- For the concept and engineering of the fluid-damped camera-head for motion picture photography.
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| | Winners: | | | - Otto Blaschek; Arriflex Corp.; Engineering department of ARRI, Austria
- For the design and development of the Arriflex 765 Camera System for 65mm motion picture photography.
- Kenny Bates
- For the design and development of the Bates Decelerator System, which provides a means for significantly increasing the safety of very high stunt falls.
- Loren Carpenter; Rob Cook (I); Ed Catmull; Thomas Porter (I); Pat Hanrahan; Anthony A. Apodaca; Darwyn Peachey
- For development of "RenderMan" software providing the means to digitally create scenes or elements that may be composited with other footage.
- Al Mayer; Iain Neil; George Kraemer; Hans Spirawski; Bill Eslick; Don Earl
- For camera design (Mayer), the optical design (Kraemer/Spirawski), the opto-mechanical design (Eslick) and the technical support (Earl) in developing the Panavision System 65 Studio Sync Sound Reflex Camera for 65mm motion picture photography.
- Douglas Trumbull; Geoffrey Williamson (II); Robert Auguste; Edmund DiGiulio
- For concept, (Trumball), the movement design (Williamson), the electronic design (Auguste) and the camera system (DiGuilio) of the CP-65 Showscan Camera System for 65mm motion picture photography (first modern 65mm camera developed in 25 years).
- Claus Wiedemann; Robert Orban; Dolby Laboratories
- For the design (Wiedemann/Orban) and the development, of the Dolby "Container," a stereo five-band audio processor that limits signals in selected bands, then removes resulting harmonics, allowing creative use of an analog soundtrack with increased dynamic range.
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| | Winners: | | | - Tom Brigham; Douglas Smythe; Computer graphics department of Industrial Light & Magic
- For the original concept and pioneering work (Brigham) and development and first implementation in feature motion pictures of the MORF system for digital metamorphosis of high resolution images. The MORF system made practical the creation of metamorphosis and transformation effects for films.
- Robert R. Burton; Audio Rents Inc.
- For development of the Model S-27 4-Band Splitter/Combiner, a method of processing soundtrack by allowing the sound mixer to work on separate bands of the audio spectrum.
- Iain Neil; Kaz Fudano
- For optical design (Neil) and mechanical design (Fudano) of the Panavision Slant Focus Lens, which allows for the focus plane to be tipped and rotated so that near and far objects can be simultaneously brought into focus.
- Ira Tiffen; Tiffen Manufacturing
- For production of the Ultra Contrast Filter Series for motion picture photography, which provides a graded range of contrast reduction filters with excellent consistency over the entire frame area.
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